PARODY AS ONTOLOGIC AND GNOSEOLOGIC PROBLEM OF RUSSIAN (S.-PETERSBURG) AVANT-GARDE IN 1920S

The article explains why the thinkers of Russian avant-garde suggested and developed a theory of parody in 1920s. The cultural and politic context of the avant-garde’s theory of parody is analyzed.

Bibliographic Details
Main Author: Сергій Троіцький
Format: Article
Language:English
Published: Odessa I. I. Mechnykov National University 2012-06-01
Series:Докса
Subjects:
Online Access:http://doksa.onu.edu.ua/article/view/145953