| Summary: | This article starts from a pedagogical residence in Museu de Arte do Rio (MAR) to develop an analysis of the practices produced by the educators who work there. This analysis focuses in the space established by the dialogues held between public and artwork, where this space becomes a text. Therefore, the text establishes a theoretical foundation with Roland Barthes, which supports the conducted mapping of perceptions and sensations. Methodologically, this work creates forms that point resonances between mediation practices developed by educators, a working curriculum open to the unpredictability of the meetings and the potency of multiple dimensions of spaces engendered in this education based network. Finally, the defense of mediation emerges as a committed practice with the elimination of the existing gaps between the author's desires and the viewer's experience, so that artistic experience can become, above all aspects, an invitation to the creation of new meanings: for work, for art, for life.
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