Art and Ontography
Graham Harman describes the allure of art as the tension and fusion of a real object to sensual qualities so that it makes it seem that the inwardness of reality is opened to us. Yet real objects are withdrawn; how are we aware of their fusion? Since Harman’s ontology mandates that contact between r...
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| Format: | Article |
| Language: | English |
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De Gruyter
2020-08-01
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| Series: | Open Philosophy |
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| Online Access: | https://doi.org/10.1515/opphil-2020-0116 |