Reading Queer Irish Performance across Live and Digital Practice
In digital age there is a “reciprocity of images and bodies during regular, multiple and multisited encounters.” (Harbison 16). Westerman asserts performance as ‘inframedium’, that is ontologically situated between life and image (Westerman n.p.). As such it is well placed to critically address the...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
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| Series: | Interfaces |
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| Online Access: | https://journals.openedition.org/interfaces/4122 |