The Filter and the Viewer: On Audience Discretion in Film Noir
To the French critics who originally labelled certain films noir it seemed that a class of Hollywood products had gone darker during the war years – as though a dark filter had been placed over the lens. Films were not designed or marketed as noir, and retrospectively noir's status as a genre i...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2024-06-01
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| Series: | Film-Philosophy |
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2024.0273 |