‘A series of surfaces’: The New Sculpture and Cinema
This article examines New Sculpture in the context of the emergence of cinema, arguing that chronophotography had a major impact on the temporalization of sculpture in late nineteenth-century Britain. Departing from the demonstrable impact of motion studies on Rodin’s sculpture, the article compares...
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| Format: | Article |
| Language: | English |
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Open Library of Humanities
2016-06-01
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| Series: | 19 |
| Online Access: | http://19.bbk.ac.uk/article/id/1462/ |