The IAT shows no evidence for Kandinsky’s colour-shape associations

In the early 20th century, the Bauhaus revolutionised art & design by using simple colours and forms. Wassily Kandinsky was especially interested in the relationship of these two visual attributes and postulated a fundamental correspondence between colour and form: yellow triangle, red squar...

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Bibliographic Details
Main Authors: Alexis eMakin, Sophie eWuerger
Format: Article
Language:English
Published: Frontiers Media S.A. 2013-09-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00616/full