Spiritualität, Dichtung und Komposition : die variablen Entwicklungsebenen des italienischen Oratoriums
Although the Italian Oratorio has its origins in the spiritual exercises of Filippo Neri, in the 17th century, as a musical-dramatic genre in formal-technical terms, it approaches the form of Opera. So from his secular counterpart it differs mainly by its close ties to the contents of Catholic faith...
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| Format: | Article |
| Language: | ces |
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Masaryk University, Faculty of Arts
2014-06-01
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| Series: | Musicologica Brunensia |
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| Online Access: | https://journals.phil.muni.cz/musicologica-brunensia/article/view/23779 |