Action / Participation
Since the 1960s, Brazilian art is characterized by a significant presence of practices which try to establish a singularizing aesthetic relationship with the public. From Neoconcretism until today, “participation” has become a genre that has not lost its mythical motivating force. The participative...
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| Format: | Article |
| Language: | fra |
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MSH Paris Nord
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| Series: | Appareil |
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| Online Access: | https://journals.openedition.org/appareil/2109 |