Afectividad y cognición (verbal) en Darlo todo y no dar nada de Calderón y Los empeños de una casa de Sor Juana
The findings of Performance Studies over the last two decades have rightly highlighted the importance of the regulation of affects in Early Modern Theatre. The production of meaning through words has thus been decentered. In this article, an analysis of two Baroque plays (Darlo todo y no dar nada by...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
|
| Series: | E-Spania |
| Subjects: | |
| Online Access: | https://journals.openedition.org/e-spania/43089 |