En miroir et sous le masque : Gaston d’Orléans et l’Antiquité dans le spectacle de cour
Gaston d’Orléans made his debut in court ballet at a time when the ballet-mascarade was dominant in France. Monsieur seems to have been particularly fond of this genre, which featured grotesque figures ostensibly far removed from the prestige of the antique references that were part of serious court...
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| Format: | Article |
| Language: | English |
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Centre de Recherche du Château de Versailles
2021-12-01
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| Series: | Bulletin du Centre de Recherche du Château de Versailles |
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| Online Access: | http://journals.openedition.org/crcv/20671 |