A nous la philologie. L’implémentation numérique du cinéma et l’identité filmique dans l’horizon théorique de Gérard Genette
The theoretical elaboration offered by Gérard Genette on the modes of artwork transcendence and on the aesthetical relationship is today an explicative platform for understanding the trans- formation of the DVD viewer into a kind of “philologist,” who accesses different versions, languages...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Milano University Press
2012-03-01
|
| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16253 |