<i>Serynade</i> e o mundo sonoro de Helmut Lachenmann
This paper summarizes a preparatory research for an in-deep analysis of Serynade for piano (1998) by Helmut Lachenmann, which is part of a project on Twentieth Century music's aesthetics of sonority. I chose to stress upon some of the composer's main theoretical concepts, illustrating them...
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| Format: | Article |
| Language: | Portuguese |
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Associação Nacional de Pesquisa e Pós-Graduação em Música
2007-12-01
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| Series: | Opus |
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| Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/304 |