Les logiques sociales de l’iconographie contestataire : le cas du quartier d’El Príncipe à Ceuta
Searching a nationalist propaganda, Ceuta’s public authorities, a Spanish enclave in Morocco, have carried out an instrumentalisation of urban iconography and place names. Contrary to the public art of town center’s official monuments, in El Principe’s peripheral district, urban art is born in a con...
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| Format: | Article |
| Language: | English |
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TELEMME - UMR 6570
2019-11-01
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| Series: | Amnis |
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| Online Access: | https://journals.openedition.org/amnis/4885 |