Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias Canetti
The article’s proposal is to compare two textual spaces –Juan Goytisolo’s Makbara and Elias Canetti’s The Voices of Marrakesh– build as stages. Upon their fictional boards a figural composition is played, which gives life and form to a square –the Djemaa-el-Fna of Marrakesh–, which impresses and mar...
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| Format: | Article |
| Language: | Catalan |
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Universidad Complutense de Madrid
2011-03-01
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| Series: | Revista de Filología Románica |
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| Online Access: | http://revistas.ucm.es/index.php/RFRM/article/view/10189 |