Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias Canetti

The article’s proposal is to compare two textual spaces –Juan Goytisolo’s Makbara and Elias Canetti’s The Voices of Marrakesh– build as stages. Upon their fictional boards a figural composition is played, which gives life and form to a square –the Djemaa-el-Fna of Marrakesh–, which impresses and mar...

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Main Author: Javier Sánchez-Arjona Voser
Format: Article
Language:Catalan
Published: Universidad Complutense de Madrid 2011-03-01
Series:Revista de Filología Románica
Subjects:
Online Access:http://revistas.ucm.es/index.php/RFRM/article/view/10189
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author Javier Sánchez-Arjona Voser
author_facet Javier Sánchez-Arjona Voser
author_sort Javier Sánchez-Arjona Voser
collection DOAJ
description The article’s proposal is to compare two textual spaces –Juan Goytisolo’s Makbara and Elias Canetti’s The Voices of Marrakesh– build as stages. Upon their fictional boards a figural composition is played, which gives life and form to a square –the Djemaa-el-Fna of Marrakesh–, which impresses and marvels the reader built up by Goytisolo and the Elias Canetti’s homonym narrator. The main figures of this orientalistic carnivalistic world represented by and for Europeans are not only the grotesque players which are placed on the stage: the voice and the space itself are part of the strategic creation of this textual “non-place”, which is a physiognomic and a tectonic kaleidoscope, that remains invisible.
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spelling doaj.art-e181bcb2c0e041329072779ac26a5d2b2022-12-22T03:15:36ZcatUniversidad Complutense de MadridRevista de Filología Románica0212-999X1988-28152011-03-010215716310180Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias CanettiJavier Sánchez-Arjona VoserThe article’s proposal is to compare two textual spaces –Juan Goytisolo’s Makbara and Elias Canetti’s The Voices of Marrakesh– build as stages. Upon their fictional boards a figural composition is played, which gives life and form to a square –the Djemaa-el-Fna of Marrakesh–, which impresses and marvels the reader built up by Goytisolo and the Elias Canetti’s homonym narrator. The main figures of this orientalistic carnivalistic world represented by and for Europeans are not only the grotesque players which are placed on the stage: the voice and the space itself are part of the strategic creation of this textual “non-place”, which is a physiognomic and a tectonic kaleidoscope, that remains invisible.http://revistas.ucm.es/index.php/RFRM/article/view/10189PalimpsestoCronotopoXemáa-el-FnáMetamorfosisLo grotescoJuan GoytisoloElias Canetti
spellingShingle Javier Sánchez-Arjona Voser
Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias Canetti
Revista de Filología Románica
Palimpsesto
Cronotopo
Xemáa-el-Fná
Metamorfosis
Lo grotesco
Juan Goytisolo
Elias Canetti
title Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias Canetti
title_full Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias Canetti
title_fullStr Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias Canetti
title_full_unstemmed Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias Canetti
title_short Entre pantomima y tableau vivant: un acercamiento a la invisible Xemáa-el-Fna de Makbara de Juan Goytisolo y Voces de Marrakech de Elias Canetti
title_sort entre pantomima y tableau vivant un acercamiento a la invisible xemaa el fna de makbara de juan goytisolo y voces de marrakech de elias canetti
topic Palimpsesto
Cronotopo
Xemáa-el-Fná
Metamorfosis
Lo grotesco
Juan Goytisolo
Elias Canetti
url http://revistas.ucm.es/index.php/RFRM/article/view/10189
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