Le retour des Érinyes : le chœur des Euménides dans Les Mouches de Jean-Paul Sartre et La Ville parjure d’Hélène Cixous
This paper investigates how the Chorus of Aeschylus’ Eumenides has been revived on the stage to address modern socio-political issues. First, I focus on Sartre’s The Flies, created in Paris in 1943 during the German occupation. I argue that although Sartre draws heavily on Aeschylus, his play entail...
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| Format: | Article |
| Language: | fra |
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Presses universitaires du Midi
2018-12-01
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| Series: | Pallas |
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| Online Access: | http://journals.openedition.org/pallas/9713 |