Between home and flight: interior space, time and desire in the films of Chantal Akerman
This article sets out to review the films of Chantal Akerman, mainly those that she made in the 1970s and 1980s, observing how her filmmaking formulates a journey to and from the home against the background of the historical scene post 1968. Through a selection of examples, I will argue that the sin...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2021-01-01
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| Series: | Journal of Aesthetics & Culture |
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| Online Access: | http://dx.doi.org/10.1080/20004214.2021.1914969 |