Self-censorship in Massimo Bontempelli’s Magical Realism
This article aims to investigate the interplay between censorship, self-censorship and the narrative strategies of magical realism in Il figlio di due madri by Italian author Massimo Bontempelli (1878–1960). Having been head of the National Fascist Writers Union from the mid- to late-1920s, critics...
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| フォーマット: | 論文 |
| 言語: | English |
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UNICApress
2015-05-01
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| シリーズ: | Between |
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| オンライン･アクセス: | http://ojs.unica.it/index.php/between/article/view/1398 |