The The Bride Machine: Duchamp’s Theory of Art Revisited

It is a commonplace in certain areas of art theory and contemporary art practices to consider Marcel Duchamp’s ready-mades as ordinary objects, which have an artistic value that depends more on a theoretical or institutional framework than on an aesthetic experience. The aim of this paper is, on the...

Full description

Bibliographic Details
Main Author: Ricardo Ibarlucía
Format: Article
Language:English
Published: Firenze University Press 2022-01-01
Series:Aisthesis
Subjects:
Online Access:https://oajournals.fupress.net/index.php/aisthesis/article/view/13216