Deux romans de Kamel Daoud, entre militantisme satirique et symbiose interculturelle
The writing of the novels Zabor or The Psalms and The Painter Devouring the Woman by Kamel Daoud takes on an equivocal character, a creative project torn between an amply satirical militant expression and an aesthetically crafted intercultural orientation. Apparently, this writing takes the form of...
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| Format: | Article |
| Language: | fra |
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Université Abderrahmane Mira
2021-06-01
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| Series: | Multilinguales |
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| Online Access: | http://journals.openedition.org/multilinguales/6446 |