El hilo de platino: Neobarroco y más allá
In general, we are used to reading and thinking of poetry according to certain rhythms. However, in a poetry such as that written by the Cuban José Kozer -which voluntarily opts for machination and theft- lyricism becomes inefficient. The concepts of theft, failure and decay pervade all of Kozer...
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| Format: | Article |
| Language: | Spanish |
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Universidad Nacional de La Plata
2010-11-01
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| Series: | Orbis Tertius |
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| Online Access: | http://revistas.fahce.unlp.edu.ar/index.php/OT/article/view/2399 |