Pierre Boulez, Latin America, and the European Avant-Garde After 1950
Recognized as a critic, composer, teacher, conductor and impresario, Pierre Boulez left a huge footprint that defined the trajectory of European concert music during the second half of the twentieth century. With the composition of Le Marteau sans maître (1953–1955) and several subsequent works fro...
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| Format: | Article |
| Language: | English |
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Associação Brasileira de Teoria e Análise Musical
2021-12-01
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| Series: | Musica Theorica |
| Online Access: | https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/172 |