Temporal Looping and Pleating in Spring Breakers (Harmony Korine, 2012)
This article is about the cinematic presentation of time, arguing that contemporary cinema increasingly draws on musical structures to organize images. Drawing on a Deleuzian conception of time in cinema, I propose and develop the idea of a morph-image. In the case of Spring Breakers, this musical s...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
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| Series: | Interfaces |
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| Online Access: | https://journals.openedition.org/interfaces/5792 |