L’image fondatrice est-elle matérielle ? Le débat iconomaque en Angleterre et la théologie de l’image dans le Paradis Perdu de John Milton (1674)
This article explores the relations between iconoclastic practices, theology of images and poetic writing in seventeenth century Anglican England. It argues that for poets as different as John Donne and John Milton, the iconoclastic practices, deriving from a radical Calvinist interpretation of the...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2020-11-01
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| Series: | Images Re-Vues |
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| Online Access: | http://journals.openedition.org/imagesrevues/9192 |