Subjectivité et objectivité dans la mélodie française des XIXe et XXe siècles
We present here a very brief history of the musical setting of French poetry by focusing on the period 1850-1950, which represents the “golden age” of the “French Song”, a genre caught between the poles of subjectivity (extreme attention to the letter of the text) and objectivity (predominance of mu...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
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| Series: | Cahiers de Narratologie |
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| Online Access: | https://journals.openedition.org/narratologie/6485 |