Sticking to the “Factual.” Man Ray’s Le Retour à la raison (1923), Marcel Duchamp’s Anémic cinéma (1924–26) and Peter Tscherkassky’s Dream Work (2001)
<p>The present article seeks to show that, for the Dadaists, film was an unsatisfying medium because as a technically reproduced artifact it counteracted Dada’s sense of immediacy. The focus of my text revolves around the notion of “facticity” inspired by Wieland Herzfelde, for whom Dada repre...
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| Format: | Article |
| Language: | English |
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Associação de Investigadores da Imagem em Movimento
2014-07-01
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| Series: | Aniki: Revista Portuguesa da Imagem em Movimento |
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| Online Access: | http://aim.org.pt/ojs/index.php/revista/article/view/93 |