Peryferie ideologii — „patrząc z ukosa” na „Sanatorium pod Klepsydrą” Wojciecha J. Hasa i „Monument” Jagody Szelc
The main topic of the article is the use of ideological criticism (as presented by Slavoj Žižek) as a method in comparative analysis of The Hourglass Sanatorium by W.J. Has and The Monument by J. Szelc. The author not only looks for objective determinations of social reality, but also for its hidd...
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| Format: | Article |
| Language: | English |
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Wydawnictwo Uniwersytetu Wrocławskiego
2024-07-01
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| Series: | Studia Filmoznawcze |
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| Online Access: | https://wuwr.pl/sf/article/view/16312 |