L’écran comme vecteur de la mémoire du théâtre
The Screen as Vector of the Memory of Theatre This article shows how Ivo van Hove’s performance Les Damnés, based on Visconti’s film, reuses material from ancient Greek theatre. The stage director introduces the cinematographic idiom with the use of the camera in order to keep the continuity with Vi...
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| Format: | Article |
| Language: | English |
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UArtPres
2021-12-01
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| Series: | Symbolon |
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| Online Access: | http://uartpress.ro/journals/index.php/symbolon/article/view/286 |