Cinematic Memory and The Americanization of The Holocaust
Steven Soderbergh’s The Good German (2006), while grounding itself in WWII, casts a wide net as it attempts to examine the role of memory, the difficulty of assigning guilt, determining justice, defining the past, and writing history. Its nuanced treatment of these issues is enhanced by its complex...
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| Format: | Article |
| Language: | English |
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Sciendo
2012-12-01
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| Series: | Romanian Journal of English Studies |
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| Online Access: | https://doi.org/10.2478/v10319-012-0015-x |