Decolonial gesture and the screening of the botanical artist in Miasma, Plants, Export Paintings (Bo Wang and Pan Lu, 2017)
Bo Wang and Pan Lu’s split-screen video essay Miasma, Plants, Export Paintings (2017) charts the relationship between its titular categories and British imperialism in China, especially the colonial possession of Hong Kong as a result of the Opium Wars in the nineteenth century. It centres on the co...
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| Format: | Article |
| Language: | English |
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University College Cork
2022-07-01
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| Series: | Alphaville: Journal of Film and Screen Media |
| Online Access: | http://www.alphavillejournal.com/Issue23/HTML/ArticleCooper.html |