“Falling Man” and the Intericonicity of 9/11 Pictures
After the attack on the WTC on September 11, 2001, a debate began around its artistic representability: according to some, visualizing the horror was a way of traversing the trauma, while others characterized it as an even crueler sort of violence. Some photographers hesitated to publish their image...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Torino
2021-06-01
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| Series: | CoSMO |
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| Online Access: | https://www.ojs.unito.it/index.php/COSMO/article/view/5909 |