Visualità e intermedialità in Hugo von Hofmannsthal
In Tod des Tizian (1892) the painted image and its verbal evocation carry out an important function of poetics. In this verse play, Titian’s last painting offers a new representation perspective, which to a certain extent invalidates his previous production. Hofmannsthal here deals with a theme deep...
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| Format: | Article |
| Language: | deu |
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Milano University Press
2014-05-01
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| Series: | Studia austriaca |
| Online Access: | https://riviste.unimi.it/index.php/StudiaAustriaca/article/view/4031 |