Visualità e intermedialità in Hugo von Hofmannsthal
In Tod des Tizian (1892) the painted image and its verbal evocation carry out an important function of poetics. In this verse play, Titian’s last painting offers a new representation perspective, which to a certain extent invalidates his previous production. Hofmannsthal here deals with a theme deep...
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| Format: | Article |
| Language: | deu |
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Milano University Press
2014-05-01
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| Series: | Studia austriaca |
| Online Access: | https://riviste.unimi.it/index.php/StudiaAustriaca/article/view/4031 |
| _version_ | 1797712162928459776 |
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| author | Maurizio Pirro |
| author_facet | Maurizio Pirro |
| author_sort | Maurizio Pirro |
| collection | DOAJ |
| description | In Tod des Tizian (1892) the painted image and its verbal evocation carry out an important function of poetics. In this verse play, Titian’s last painting offers a new representation perspective, which to a certain extent invalidates his previous production. Hofmannsthal here deals with a theme deeply rooted in his aesthetic program. The impulse towards a form supported by a sort of reciprocal strengthening of life and art takes on an eminently ethic configuration in which the aesthetic individual rediscovers his specific duty. |
| first_indexed | 2024-03-12T07:17:42Z |
| format | Article |
| id | doaj.art-ee89c5c9a375427fae8547ecee91419a |
| institution | Directory Open Access Journal |
| issn | 1593-2508 2385-2925 |
| language | deu |
| last_indexed | 2024-03-12T07:17:42Z |
| publishDate | 2014-05-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Studia austriaca |
| spelling | doaj.art-ee89c5c9a375427fae8547ecee91419a2023-09-02T22:44:29ZdeuMilano University PressStudia austriaca1593-25082385-29252014-05-012209310410.13130/1593-2508/40313486Visualità e intermedialità in Hugo von HofmannsthalMaurizio Pirro0Università degli Studi di Bari Aldo Moro, ItalyIn Tod des Tizian (1892) the painted image and its verbal evocation carry out an important function of poetics. In this verse play, Titian’s last painting offers a new representation perspective, which to a certain extent invalidates his previous production. Hofmannsthal here deals with a theme deeply rooted in his aesthetic program. The impulse towards a form supported by a sort of reciprocal strengthening of life and art takes on an eminently ethic configuration in which the aesthetic individual rediscovers his specific duty.https://riviste.unimi.it/index.php/StudiaAustriaca/article/view/4031 |
| spellingShingle | Maurizio Pirro Visualità e intermedialità in Hugo von Hofmannsthal Studia austriaca |
| title | Visualità e intermedialità in Hugo von Hofmannsthal |
| title_full | Visualità e intermedialità in Hugo von Hofmannsthal |
| title_fullStr | Visualità e intermedialità in Hugo von Hofmannsthal |
| title_full_unstemmed | Visualità e intermedialità in Hugo von Hofmannsthal |
| title_short | Visualità e intermedialità in Hugo von Hofmannsthal |
| title_sort | visualita e intermedialita in hugo von hofmannsthal |
| url | https://riviste.unimi.it/index.php/StudiaAustriaca/article/view/4031 |
| work_keys_str_mv | AT mauriziopirro visualitaeintermedialitainhugovonhofmannsthal |