The Metaphysics of Crackle: Afrofuturism and Hauntology
<p>There has always been an intrinsically “hauntological” dimension to recorded music. But Derrida’s concept of hauntology has gained a new currency in the 21<sup>st</sup> century, when music has lost its sense of futurism, and succumbed to the pastiche- and retro-time of postmoder...
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| Format: | Article |
| Language: | English |
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University of Huddersfield, Department of Music
2013-11-01
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| Series: | Dancecult: Journal of Electronic Dance Music Culture |
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| Online Access: | https://dj.dancecult.net/index.php/dancecult/article/view/378 |