A POSE FOTOGRÁFICA EM TRÊS MOMENTOS DE KÔ: O RETRATO FOTOGRÁFICO COMO REPRESENTAÇÃO DO TEMPO NO OLHAR DE HARUO OHARA
The objective this article is to promoter a debate about the portrait in its condition of shared memory. We taking with reference for the present study, three portraits of K Sanada by Haruo Ohara among the years of 1940-1973. These pictures evidenced the construction to look about the body and the t...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Estadual do Oeste do Paraná
2012-09-01
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| Series: | Travessias |
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| Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/5944 |