Captation spéculaire et mise en abyme dans le film Jane Eyre de Franco Zeffirelli
This article presents Franco Zeffirelli’s baroque use of mirrors to evoke the specular alienation of Jane Eyre who is both the heroine and the story-teller in the movie and in the original text. The mirror image—or, condensed into a single word, the “mirage”—is not only whole and non-human as oppose...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2009-08-01
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| Series: | Revue LISA |
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| Online Access: | https://journals.openedition.org/lisa/852 |