The Passion of the Brides: Angela Carter, Marcel Duchamp and Max Ernst
The purpose of this paper is to investigate the intertextual presence of surrealist paintings in selected works by Angela Carter, a writer who was acutely interested in the intersections between literature and art. It concentrates mainly on Carter’s The Infernal Desire Machines of Dr Hoffman (1972)...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2006-11-01
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| Series: | Études Britanniques Contemporaines |
| Online Access: | http://journals.openedition.org/ebc/12303 |