ESPACES VISIBLES ET INVISIBLES : LE MIROIR DANS LA PEINTURE FRANÇAISE DES XVIIe – XVIIIe SIÈCLES (Visible and invisible spaces: iconography of the mirror in the XVIIth – XVIIIth century French painting)

In this essay we aim to analyse the concepts of visibility and invisibility in connexion with the mirror as an iconographic object in the XVIIth – XVIIIth centuries. Through the interpretation of selected artworks we have distinguished two kinds of mirrors; an artificial and a natural type. The inqu...

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Bibliographic Details
Main Author: Dóra Ocsovai
Format: Article
Language:ces
Published: Ostium 2015-06-01
Series:Ostium
Subjects:
Online Access:http://www.ostium.sk/sk/espaces-visibles-et-invisibles/