«La media noche es pasada, / y no viene»: avatares de una canción, entre <i>La Celestina</i> y Alejo Carpentier
In La Celestina (auto XIX), Melibea sings two short songs that have survived in the Pan-Hispanic oral tradition for five centuries. This article analyzes the origins and evolution of both songs, from the point of view of metric, formulas, theme and style.
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Format: | Article |
Language: | English |
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Universidad de Valencia, Departamento de Filología Española
2021-01-01
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Series: | Celestinesca |
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Online Access: | https://ojs.uv.es/index.php/celestinesca/article/view/20170 |