Two orients in Rudolf Bruci's opera Gilgamesh
The theme of this article is the ancient Orient as imagined by the Serbian composer Rudolf Bruci (1917-2002). The finale of his monumental opera Gilgamesh (1986; libretto by Arsa Milošević), makes display of heterogeneous musical material based on different oriental scales. The modernity of the oper...
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| Format: | Article |
| Language: | English |
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Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2005-01-01
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| Series: | Muzikologija |
| Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2005/1450-98140505153R.pdf |