Johann Sebastian Bach’s Kreuzstab Cantata (BWV 56): Identifying the Emotional Content of the Libretto
Along with numerous other music theorists of the eighteenth century, Johann Joachim Quantz compares an expressive musical performance to the delivery of a persuasive speech by a distinguished orator. For a successful rhetorical delivery of the music of that period, however, today’s musicians not onl...
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| Format: | Article |
| Language: | English |
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University of Western Australia
2015-03-01
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| Series: | Limina: A Journal of Historical and Cultural Studies |
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| Online Access: | http://www.limina.arts.uwa.edu.au/__data/assets/pdf_file/0011/2697455/Corall-article.pdf |