Archival Re-appropriation and Discontents of Self-cine-identification in Iranian Cinema
The indexical interpretation of the archival footages and historical theme of Mohsen Makhmalbaf's Once Upon a Time, Cinema (Iran 1991) has inspired many studies to read the movie as a semi-historical homage to (Iranian) cinema from 1900. However, this article questions the archival footages and...
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| Format: | Article |
| Language: | English |
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University of Bologna
2020-07-01
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| Series: | Cinergie |
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| Online Access: | https://cinergie.unibo.it/article/view/10536 |