Hacking Stereoscopic Vision: the Nineteenth-Century Culture of Critical Inquiry in Stereoscope Use

While recent scholarship has emphasised the narratives of immersive realism that surrounded the parlour stereoscope, my aim in this paper is to better understand the counter-currents of nineteenth century stereoscopic culture – the artefacts, practices and discourses that powerfully undermined reali...

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Bibliographic Details
Main Author: Rod Bantjes
Format: Article
Language:English
Published: Lusófona University 2016-12-01
Series:International Journal of Film and Media Arts
Subjects:
Online Access:https://revistas.ulusofona.pt/index.php/ijfma/article/view/5707