Rilke contra Wagner. Rilke’s early concept of Music and the Convergence of the Arts around 1900
This article examines Rainer Maria Rilke’s fundamental distinction between the essence of music and poetry, concentrating on his earliest encounters with music around 1900 and their impact on his poetics. It places Rilke’s concept of music into the cultural context of the romantic experience and re...
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| Format: | Article |
| Language: | deu |
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Milano University Press
2011-10-01
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| Series: | Studia theodisca |