The domestic space in architecture and cinema. Modulation through spatial perspective distortion
The cinematographic space results from the imbrication of the architectural space and the narrative that is modified according to the character’s conflicts. In Repulsion (Roman Polanski, 1965), this transformation is represented by a spatial perspective distortion. Polanski places the individual’s t...
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| Format: | Article |
| Language: | Spanish |
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Ediciones UNL
2023-06-01
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| Series: | ARQUISUR Revista |
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| Online Access: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Arquisur/article/view/12414/17570 |