The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”
In 1945, Europe lay in ruins. Networks needed to be established, new alliances forged. UNESCO was a child of that time, and the idea of a united, democratic Europe took wing. During the period 1948–60, Modernism was at its height, and its shape was defined in a number of important exhibitions and pu...
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| Format: | Article |
| Language: | English |
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Yale University
2016-07-01
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| Series: | British Art Studies |
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| Online Access: | http://britishartstudies.ac.uk/issues/issue-index/issue-3/1945-1960 |