Staging division: power, violence, and theatricality in The Baby of Mâcon
Peter Greenaway’s The Baby of Mâcon (1993) was highly controversial at the time of its release; its means for critiquing cinematic voyeurism and the exploitability of audiences were received as blasphemous and misanthropic. This essay shows that the politics of this film is more complicated, and mor...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2024-12-01
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| Series: | Journal of Aesthetics & Culture |
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| Online Access: | https://www.tandfonline.com/doi/10.1080/20004214.2024.2318816 |