Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or at...
المؤلف الرئيسي: | David Temperley |
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التنسيق: | مقال |
اللغة: | English |
منشور في: |
The Ohio State University Libraries
2006-09-01
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سلاسل: | Empirical Musicology Review |
الموضوعات: | |
الوصول للمادة أونلاين: | https://kb.osu.edu/dspace/handle/1811/24079 |
مواد مشابهة
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Pitch Frames as Melodic Archetypes
حسب: William Thomson
منشور في: (2006-09-01) -
Familiar Tonal Context Improves Accuracy of Pitch Interval Perception
حسب: Jackson E. Graves, وآخرون
منشور في: (2017-10-01) -
Response to David Temperley's Commentary
حسب: William Thomson
منشور في: (2006-09-01) -
A Dynamical Model of Pitch Memory Provides an Improved Basis for Implied Harmony Estimation
حسب: Ji Chul Kim, وآخرون
منشور في: (2017-05-01) -
Piano in the intonation process of tonally unstable and non-tonal melodies in teaching Solfège
حسب: Vidicki Elizabeta
منشور في: (2015-01-01)