Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or at...
Prif Awdur: | David Temperley |
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Fformat: | Erthygl |
Iaith: | English |
Cyhoeddwyd: |
The Ohio State University Libraries
2006-09-01
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Cyfres: | Empirical Musicology Review |
Pynciau: | |
Mynediad Ar-lein: | https://kb.osu.edu/dspace/handle/1811/24079 |
Eitemau Tebyg
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Pitch Frames as Melodic Archetypes
gan: William Thomson
Cyhoeddwyd: (2006-09-01) -
Familiar Tonal Context Improves Accuracy of Pitch Interval Perception
gan: Jackson E. Graves, et al.
Cyhoeddwyd: (2017-10-01) -
Response to David Temperley's Commentary
gan: William Thomson
Cyhoeddwyd: (2006-09-01) -
A Dynamical Model of Pitch Memory Provides an Improved Basis for Implied Harmony Estimation
gan: Ji Chul Kim, et al.
Cyhoeddwyd: (2017-05-01) -
Piano in the intonation process of tonally unstable and non-tonal melodies in teaching Solfège
gan: Vidicki Elizabeta
Cyhoeddwyd: (2015-01-01)